Director Guillermo Del Toro spoke with TotalFilm.com extensively and tossed out a few nice nuggets about The Hobbit… Here’s a few that stood out:
About the plot:
We are respecting the structure established by Professor Tolkien because the order of the adventures in The Hobbit is well known to generations and generations of kids. You don’t want to be moving stuff like that.
But we will be integrating Gandalf’s comings and goings because he does disappear in the book quite often.
So, as opposed to the book, we see where he goes and what happens to him
About The Hobbit’s creatures:
The way I phrased it to Weta, I said we would keep the DNA in the same gene pool as the Rings trilogy, but that we would generate a different type of character. For example, in the trilogy most of the creatures are brutish or inarticulate.
In The Hobbit, the creatures speak: Smaug has beautiful lines of dialogue; the Great Goblin has beautiful lines of dialogue; many creatures do. So we had to design them with a different approach because you are not just designing things that are scary.
I also wanted some of the monsters in The Hobbit to be majestic.
About the style of The Hobbit:
We’re tying to make two films that flow with [LOTR] but that stand on their own completely.
We want to avoid stuff that is not part of the DNA, that is not part of the lexicon, but we also don’t want people to feel “We’ve seen this”.
Except where that familiarity is comforting, like Hobbiton or Rivendell – then you want to feel like you’re coming back home to a movie that you love and cherish.
There is a lot of magic in the film. Peter has the eye of a strong historian, in the sense that the trilogy is incredibly accurate to a world that was created. He’s like an archaeologist who’s digging something that existed. I think that The Hobbit has a little bit more poetic licence.
It has… How can I say it? It has a little bit more flamboyance.